Friday Review, 5/20/2011

Four books this week, although, to be fair, I had almost finished one of them last Friday.

Elizabeth Moon - Kings of the North


This is the sequel to Oath of Fealty, which was the first book in a new trilogy featuring Paksenarrion. Except, not really featuring her at all, just in the same world. She makes a brief cameo in this book, which is mostly about Kieri Phelan, struggling with his new duties as king of Lyonna, Dorrin Verrakai, struggling with her new duties as Duke Verrakai, and Jandelir Arcolin, struggling with his new duties as commander of Phelan's former mercenary company.

This is very much the second book in a trilogy. It has a satisfying narrative of its own, but it's clear that the overall narrative is connected fore and aft to the first and last books in the trilogy. I would not recommend, at all, picking this book up without first reading Oath of Fealty - I might even suggest that you re-read the first book before starting this one, if it's been a while.

Plotwise, there's a lot of politics here; diplomats negotiating marriages, kings balancing advisors, that sort of thing. There's action as well - Arcolin continues to fight against bandits, there's some sword fighting, there's a forest fire, an surprising assassin or two - but the heart of the book is politics. And that's great - this is a much more mature novel than any of the first trilogy. Political novels are tricky to write, I think, because you have to keep the pace up while nothing physical is going on. So, in that regard, excellent.

I was concerned going in that the novel would be scarred somehow by Moon's regrettable statements about the Park 51 Islamic Center. I think, ultimately, the only thing that the whole thing spoiled was my ability to read easily - if there's a screed in the book, it's very subtle, and I missed it. The novel remains full of the things I like about Moon's writing - deep complex characters, especially women; a celebration of choice and free will, especially for women; and, above all, a compelling story with a lot of threads leading in a lot of different directions. Existing fans of Moon will, I think, be pleased.

Scott Nicholson - Everyone Plays at the Library


Nicholson invites us to see the library as more than just a place to get books. He suggests that the library is a social forum, and that playing games is one of the things we do in social forums. He states that we've been playing games (like chess, checkers, and Scrabble) in libraries almost as long as there have been libraries in the US. He then presents a number of different sorts of games, rating them based on how well he thinks they would fit in a library setting. He ends by suggesting a number of ways in which different sorts of games can be integrated into the mission of a library.

The premise was interesting, and the presentation is very professional. As a library advocate, I found the work valuable. As a reader, however, it was a little dry, and as a game player I found a lot ... not to disagree with, I guess, but to quibble over. Games that, perhaps, I felt would work better, or less well. Nothing egregious, just the sort of things that gamers like to debate - this game is clearly superior to that game because of a,b, and q. So, interesting to an extent (especially for those involved or invested in public libraries), but not exactly a page turner - a good starting point, and a valuable reference.

Maria V. Snyder - Poison Study


A delicious political novel, with nice world building, and a little taste of romance. Yelena is scheduled to be executed for killing the son of a General. She is offered a choice - she can hang, or she can take a job as food taster for the Commander of Ixia (the nation she lives in); ensuring that his food is not poisoned. She takes the job, and discovers that there is a great deal of danger in the job, not all of which has to do with poison in the food.

The world is interesting - Ixia, previously a kingdom, is currently run by the Commander, who took power in a coup. He has imposed a fairly harsh order on society - everyone wears a uniform, everyone works at a designated job, movement is restricted, killing anyone for any reason is a death sentence - but there are suggestions that this order is greatly preferable to the random chaos that existed under the king, where citizens were killed at the whim of the aristocracy, people starved and froze in the streets for lack of clothing or employment, and there was no justice. The ambiguity of the situation was compelling - everything is grey, there is no clear black or white in Snyder's world. Compelling and entertaining.

There is magic here as well - banned in Ixia, but prominent in Ixia's neighbors - and that is, perhaps, less well explained. (I suspect that a full exploration of the magic system will come in the sequel, Magic Study). Still, the book has a great deal that I like - strong female characters, compelling plot, dark politics, devious intrigue, and a touch of romance - I'll be picking up the sequel.

Trigger warnings - torture and (mostly offstage) rape.

Michael Capuzzo - The Murder Room


This was not a great book. I'm just going to lead with that. Capuzzo is telling the (non-fiction) story of the Vidocq Society - a group of 82 forensic experts and dogged crime solvers named after E.F. Vidocq, the father of the Surete in France (and the inspiration for the first detective novels by Edgar Allen Poe, and by Arthur Conan Doyle). The club, based in Philadelphia, brings together experts to solve cold cases - murders which have not been solved for over two years. Police, and the parents and loved ones of victims, bring the cases to the Society who look into the case and provide advice which sometimes results in catching the killer.

So. Not a great book. Capuzzo's writing style is a little off putting. He likes to use little cute phrases to describe people - not all the time, because that would make the book unreadable, but often enough that it's awkward. Also, he plays games with chronology - he'll introduce a case in a chapter, then move onto another case in the next chapter, then return to the earlier case in the chapter after that - distracting. Finally, the subject material is unpleasant. Most of the cases involve very violent murders, and the book features serial killers, sexual sadism, child abuse, and any number of other unpleasantness. Consider that a trigger warning - the subject matter is unavoidable, because it's all pervasive. The Society doesn't get asked to solve simple murders where the murderer is easy to finger and the motive is fairly simple to discern - they get called in to solve complex cases where the motive is murky and the killer is playing games with the cops.

Finally, I really didn't connect with the Society members that Capuzzo chose to highlight. They were, in their own ways, psychologically off - the suspicion is that they are able to catch serial killers because, save for some indefinable elements of personal history, they could have gone down that path themselves.

So, icky subject matter, off-putting characters, and a distracting narrative style. All in all, not my thing - not bad, but not a great book. When I picked the book up, I noted that it could be dreadful - I don't know that I would go quite as far as that, but it's certainly not my new favorite.

Hickey of the Beast Wednesday, 5/18/2011

(Link to the Serial Page here)


Chapter Ten. We're now officially 1/3 of the way through the book. Connie is starting to notice patterns, and she's clearly starting to question what's going on. Becky is still in the infirmary, and the doctor issues a warning that flu may be starting early this year. In the midst of this, we get this astonishing statement about growing up, which is simply brilliant:

You're just hanging out, doing your own thing. Then you're somewhere else. Someone else, maybe. Someone who doesn't expect to sit with her family in Commons, who speaks a little bit of French, who knows the smell and the feel of the team bus practically by heart now. Or maybe that's not Springden, or even boarding school. Maybe that's just how growing up works. Hell if I know.

And then, you know, I was just thinking it's been a while since Connie had a bad dream about giant mosquitoes... This time, she realizes why she recognizes the scene outside the living room window - it's the church yard on campus. The church yard where, in the first chapter, we learned that there was some sort of dead animal that needed removing. That church yard. Clearly, Izzy has read her Chekhov - do not introduce a partially rotted animal corpse in the first 1/3rd of the novel if you do not plan to have your characters investigate the partially rotted animal corpse before the final 1/3rd of the novel. I paraphrase a little.

If this were a play, we would have, I think, just finished Act 1, and are now moving into Act 2. If I recall my high school English, Act 2 is rising action, which means that things look bad for Connie in the next 10 chapters or so.

I must say, I'm really enjoying this book. A lot.

Library Supplemental, and a question, 5/18/2011

Back to the library today, seeking a book which the library claimed we had, but which, we hoped, we had returned. Today, hope won - the book was on the shelf, and so we don't have to turn the house over to find it. This time. While there, I grabbed:

Michael Ford - Jane Goes Batty


This is the sequel to last year's Jane Bites Back, which I reviewed last year. The premise is delightful - Jane Austen is a vampire. She lives in up state New York. She's been trying to get her last novel published for a really long time. The last book turned on what happened when a publishing company agreed to publish the book, and it suddenly became a best seller. This book hinges on the aftermath of that; how do you follow up a best seller? What do you do when Hollywood descends upon your town to film a version of your book? How do you deal with Lord Byron (also a vampire, and a successful romance novelist)? So, I'm looking forward to that.

The question: I'd like to have some sort of a contest. I have this ARC of Zombies vs. Unicorns, which I reviewed a couple of months back, and I'd love to send it on to someone else. What sort of contest should I have? (I'm tempted to have a "propose a contest" contest, but then I would have to run the proposed contest, and find a prize for that too.)

Monday Library Post, 5/16/2011

Hey! It's Monday! And here's a post!

Four books this week, which is, frankly, ambitious, since I've been averaging two a week, but classes are done, my grades are due on Wednesday, and so I'll only have family to get in my way for a week or so.

Sally Spencer - Rendezvous with Death


It's a murder mystery, set in London during Queen Victoria's Diamond Jubilee (1897). It's the first of the Inspector Blackstone novels - the most recent of which (set in New York in 1900) was on the new bookshelf, but I like to be introduced to characters in a natural way, not willy nilly in the middle, so. This prompted a discussion of pen names with my eldest, because it was originally published under the name Alan Rustage, so I had to explain why an author might choose to publish under a pen name. I gather that I was less fascinating than I thought, because she wandered off towards the end of my explanation.

Francis Fukuyama - The Origins of Political Order


Fukuyama is mildly controversial in the History discipline because of his book length essay, The End of History and the Last Man, a book which most historians (at least, as far as I've been able to tell) didn't actually read. Fukuyama was, in the early '90s, a neo-liberal, but has mellowed somewhat since then. His big work argued that, with the collapse of the Soviet Union, we could stop looking at capital "H" History as a societal driving force, and start studying it as a discipline again. Further, we should start seeing the rise of free market democracies to take the place of socialistically ideological states. Or so I recall. I did read the book, but a long time ago, and Fukuyama is a writer of fairly dense prose; an historian of the literary turn, even, full of Derrida and Foucault, neither of which believed in transparent prose. This is the first volume of a two volume attempt to explain why we have politics, and why it looks like it does. This book covers everything from the dawn of time to the American and French Revolutions; the second book will cover the rest of human history. Mr. Fukuyama does not think small... Anyway, I'll be teaching the politics of the American Rev next semester (again), so it might be a good idea to keep up with the literature.

To that end,
Maya Jasanoff - Liberty's Exiles: American Loyalists in the Revolutionary World


A book about the Loyalists; the Americans who remained loyal to the British Crown during the War of Independence, and what happened after the fall of New York at the end of the war. It's always good to look at historical matters from as many angles as possible.

Finally,

China Miéville - Kracken


Miéville writes "weird fiction," and I, at least theoretically, like weird fiction. Thus far, I've steered clear, because his stuff looks very dense and complicated in ways that I don't enjoy - playing games with language designed to show off how smart the author is, that sort of thing (which may well be unfair - if I like this one, I may go back and look at some of his other stuff). This, however, seems to trigger the same enjoyment circuits as Vonnegut, Pynchon, and Tim Powers - a world slightly to the side of our own, or an aspect of our world which runs tangentially to the rest of the world. Conspiracies and doomsday cults, and a giant squid int the London Museum. It looks good, I'll take a chance.

Friday Reviews, 5/13/2011

After last week's deeply complex novels of politics, real and fantastic, I wanted something a little lighter this week. I managed two books (and most of a third, but you'll have to wait until next Friday for that).

Dorothy Sayers - Whose Body?


A fairly straightforward mystery novel, and the first of Sayer's Lord Peter Wimsey novels. Wimsey is an aristocrat who dabbles in solving crimes. We learn, over the course of the novel, that he has served in World War One (the book was published in 1923), and suffers from shell shock - what we would call PTSD now. Bunter, his butler/valet, was also his sergeant in the war. Both characters are surprisingly well developed for what is, after all, not a particularly deep novel.

Wimsey's mother brings him word of a body which has been discovered by the architect who is helping to re-roof her local church. Wimsey investigates the mysterious body. Inspector Parker of Scotland Yard, a good friend of Wimsey's, is investigating the disappearance of a Jewish financier. It is suspected that the two mysteries are linked, and so Parker and Wimsey investigate together. The connection they discover is not one they expect.

I don't know much about the mystery novels of the inter-war period, but this novel seems fairly robust for the genre. With only a few alterations, it would work quite well in a modern setting - the plot is good, but the character of Wimsey, the aristocrat doesn't fit in a modern setting, he would have to be the son of wealth rather than the son of feudal privilege, perhaps. Some alterations for technology would be needed as well. Those points aside, Sayer's novel stands up very well to the test of time. It has humor and horror, it combines very nicely the amateur sleuth with the police procedural. It has surprisingly deep characters and a good twist ending. Fans of the genre who have, for some reason, not read Sayers, will find this delightful.

Holly Black - Red Glove


This is the second of Black's "Curse Workers" series, a sequel to White Cat, which I reviewed last year. They are a very pleasant combination of the YA "boarding school coming of age," "magic works in our real world," and "caper/con artist" genres. Actually, I don't know if those are real genres, but those are the themes these books combine, and Black does a wonderful job.

I think, in my previous review, I praised Black's use of the caper novel - a genre I adore, especially with con artists - and her creation of a realistic magical system that fits neatly into a world which is very much like our own. She has put considerable thought into how the world would be different if people could do magic, down to the constant wearing of gloves in public, and often in private. (Magic/curses are done by touching someone with your bare hands. Thus, wearing gloves is expected, not wearing gloves is a serious social infraction. Porn, in Black's world, features bare hands as often as it does bare anything else.) All of that continues here. I love the attention to detail; the little snippets of standard history that Black offers - the things that everyone knows about their world, stated in off-hand comments, or as part of a class session - excellent world building. I also recall that, in the previous novel, I didn't really like the characters. This book has the same characters, but I liked them better. Perhaps it's familiarity, perhaps Black is layering elements of depth on her characters, perhaps it's the mood I'm in right now - in the previous novel, I found many of the characters grating; in this book I am more sympathetic.

In this book, Cassel Sharpe (the protagonist) must balance his loyalty to his family (criminals all) with his loyalty to his friends and his desire to do what is right. He is torn between an offer to work for the magical mob (which is tempting because lucrative) and an offer/order to work for the FBI. The FBI are investigating the murder of Cassel's older brother, which they think is linked to a series of disappearances. Casssel recognizes the earlier cases as incidents that he was involved in, somewhat against his will. He must decide how much he owes to his brothers, how much he wants to give to the FBI, and how much he wants to protect himself. On top of that, he has to deal with his emotions regarding Lila Zacharov - a girl he's loved most of his life, who is a) the daughter (and heir) of the mob boss, and b) has been enspelled by Cassel's mother to love Cassel - any sort of interaction between Cassel and Lila will be marked by that fact. And Lila has decided to enroll at the boarding school where Cassel is taking classes. Awkwardness ensues.

So, I liked the characters better in this book than in the previous one, I still like the plot elements - I'll absolutely pick up the next book when I see it. Cassel has at least one semester left at high school - will the series follow him to college? I'm thinking at least one more novel (perhaps something Blue? Or would that just be cheesy?), possibly two. Either way, I heartily recommend the books.

Wednesday Hickey of the Beast, 5/11/11

(link to Subscription Page)

Chapter 9

First, a minor note - for some reason, my chapter this week was stricken with extra hyphens - perhaps it's a pagination issue. There were places where words were broken by hyphens in the middle of a line; I assume in the original those would be at the end of the line. A little distracting.

So. At the end of Chapter 8, Becky collapsed as she began her presentation on Sirens. Here we see the classroom spring into action - Sarah catches Becky before Becky can hit the floor, the teacher, Ms. Saldiagga, takes over in the sort of calm and controlled fashion that we expect from teachers:

Springden—and maybe teaching in general—does a pretty good job training faculty to act calm, even when they're freaking out inside. When I was eight, one of the dorms caught fire—nobody got killed, but it was a near thing—and Mom was giving instructions and calling parents, totally cool. If I hadn't seen the size of the martini she drank afterwards, or the way her hands shook, I would've thought she wasn't worried at all.

A nice piece of exposition there - establishing the norm for the situation and that sort of thing. Connie knows that teachers react calmly to situations, and so she's a little freaked out - she can't gauge how bad the situation is based on how her teacher is reacting. Still, when Connie and co. leave the room, Becky is conscious and basically coherent.

There are some clues here - I think it's clear that Becky has a hickey of some sort; she's wearing a turtleneck, and Autumn (another friend) mentions that Becky has " been dressing like she's cold all the time." - that could easily mean high collars, hiding Becky's neck. The last girl, the one who vanished from Wednesday dinner, Connie mentioned that she was wearing a scarf, perhaps to hide a hickey. So, I think there's some connection there. And, unless Connie is a truly unreliable narrator, I don't think she had anything directly to do with this, and will probably be the one to stop it.


Connie's friends continue to seek some logical explanation for the connection between Connie's dreams and Becky's fainting. How long before it becomes clear that these logical explanation are totally wrong? I guess we'll have to wait and see.

Apparently, I am bad at Mondays this Month - Tuesday Library Post, 5/10/2011

Two books yesterday:

Eliot Pattison - Ashes of the Earth


It's subtitled, A Mystery of Post-Apocalyptic America, which pretty much sold me on the book. There was an apocalypse, the world destroyed itself (nuclear war is implied), and this is a mystery novel set in the midst of the rebuilding process, at least a generation out from the event. Could be gloomy; we'll see.

Frank Beddor - The Looking Glass Wars


So, I've seen sequels for this, but never the first book (which this is). Beddor sets the novel in some version of Lewis Carrol's Wonderland; there's a war. The central premise is that Carrol was told the story of Alice in Wonderland by Alyss, the rightful heir to the throne of Wonderland, and he badly mangled her tale. It could be interesting, we'll see.