Witty Post Title Here

I made it to the library on Thursday, and picked up a couple of books:

Christopher Phillips - Constitution Cafe


Phillips tours around the US, talking to folks about the US constitution with the intention of writing a new draft of the document. Seems interesting.

Daniel O'Malley - The Rook


So, the tag is "On Her Majesty's Supernatural Secret Service" - beyond that, I didn't really need to read the dust jacket.

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I also read five books this week. Well, four, and finished Dance With Dragons, but I had almost 200 pages of Dragons left to read, which is most of a novel all by itself, right? So, five.

George R.R. Martin - A Dance with Dragons


 The most recent of the Song of Ice and Fire books. I said last week that this book was too long, and I really think it was. Martin's innovative bit in this series is the use of lots and lots of point of view characters. It's a big deal, and it's realistically what keeps me reading the books - Martin has this gift of making a whole array of characters work. But, in this book, it feels a little out of hand. There were several points where I felt that I didn't really need another character. There were several places where I would start a new chapter and say "c'mon, I want to find out what's happening with the chapter I just finished," and then I'd get into the new chapter, and then it would end, and I'd say "c'mon, I want to know what's happening with the chapter that I just finished." And yet, were there fewer characters, surely I would miss something. Plus, it's dangerous to wish that Martin had fewer characters, because he's inclined to kill characters, and, often, it's the character that you really care about. So.

Still, the fear that I felt through this book is this: What if, when I finish reading the series, I look back, and discover that I really don't like the cumulative effect? A strong element of the series is unpleasant people doing nasty things to each other; I think there's a strong chance that, when the series is done, I'm not going to like what's left - the characters I like will be dead, the message will be "a strong dictator is necessary to make society function," and that's not something I want to see. But there's only one way to find that out, and that's to finish the series.

This book in particular is about identity. Various characters put on false faces over the course of the novel in order to survive. Other characters find themselves doing what they think is right, even though they don't want to. The characters who do the best in this book are the ones who remain closest to their central identity; the others find themselves getting swallowed by the false identity they've created for themselves (or had created for them), or they end up stabbed in the back. "To thine ownself be true," I suppose.

I'm not going to avoid the next book; there are still characters in the series that I like, and I do want to know how the story ends. I'm not going to wish for fewer characters, because Martin is holding my favorites ransom. I don't know how assiduously I'll look for the next book, though. This one was a slog, and I only enjoyed about 70% of it - maybe 80%.

Henry Alford - Would it Kill you to Stop Doing That?


As a tonic for Martin's unrelenting grey world, Alford could not have been better. This book sparkles - an exploration of the idea of manners and etiquette with a delightfully light tone. The tone throughout is snarky in that way that only a gay New Yorker can be snarky (which is to say, slightly less snarky than someone from the 1940's - although, a gay New Yorker writing during the 1940s - perhaps that would be unsustainable levels of snark, I don't know...).

Despite the light tone, Alford tackles a serious issue - etiquette, and the way we teach it. He concludes that manners are, on an important level, entirely artificial, and yet, on another important level, entirely critical to our continued survival as a species. He ponders the way that manners have evolved over time, and the way in which they are under pressure in this world of electronic media.  He looks at the writing of several etiquette columnists, and tries his hand at offering etiquette advice. He visits Tokyo, and describes his job as a visit coordinator in New York. There's a lot of stuff in this book!

All in all, a delightful read; light, but deep, and well worth a look.

Kevin Hearne - Hounded


The first of the Iron Druid series. Atticus O'Sullivan is a multi-centuries old Druid, living in Arizona, running a occult book shop, and hiding from the Celtic love god, Aengus Og, who wants Atticus' sword. And to run the Tuatha De Dannan.

This was a fun book, with lots of funny bits, and a bunch of action. Hearne has put a great deal of thought into  how Atticus would approach the modern world, and has obviously done at least a little research on Iron Age druids and Celtic deities. Plus, there's a talking Irish Wolfhound, and I'm a sucker for a talking dog. Although my wife complained that the dog was too smart - I dunno.

First book in a series, but Hearne ends it solidly, with only the most basic of loose ends to tie into the next book. However, my local library system owns the second and third book, but the second book is being repaired, so I may have to wait some time before I get to find out what happens next.

Adam Selzer - Extraordinary


This is a world sequel from I Kissed a Zombie, and I Liked It - the book is set in the same Iowa setting, where zombies and vampires have "come out of the coffin," but a couple of years (I think, I haven't read the first one) later, and with a totally different cast of characters (except, possibly, Fred the vampire).

Jenny Van Der Burg narrates this book as a counter narrative to Born to Be Extraordinary, which is the "fictional" account of her encounter with a fairy godmother, as told by Eileen Codlin. I was hoping for a little more of "Codlin's" narrative, but Selzer gives enough - a passage or so before each chapter - for the counter-narrative to work. Van Der Burg insists that the way things happened is entirely different from what Codlin says, and that all of the girls who have started camping on her lawn in order to be turned into princesses should just get over themselves and go home...

Narratively, this is a relatively straight-forward YA high school novel, with vampires and a fairy god - well he's not a god mother. He prefers "godmofo." A performance of The Music Man features, as does a very smelly unicorn, and a young man named Mutual.

In the end, this is slightly deeper than the set up would suggest, but not much. It's a quick read; quirky and light, and an interesting addition to the "vampire at high school" ouvre. I'm happy to say, though, that my concept for a fairy godmother centered novel is firmly intact.

Ally Carter - Uncommon Criminals


Speaking of quirky and light - this is the sequel to Heist Society - a cute little caper novel with a high school aged girl as the protagonist. Katarina Bishop has decided, after the events of the previous novel, that she will only steal stuff that has been wrongfully taken from its owner - paintings stolen by Nazis, for instance. She is approached by a woman with a story about an emerald - supposedly once owned by Cleopatra, and discovered by the woman's archeologist parents, but then stolen by their unscrupulous assistant. She contracts Katrina to steal the emerald back. Of course, the emerald is cursed - what would be the point otherwise? - and also heavily guarded. Still, Kat puts together her string, and they (somewhat reluctantly) set out to steal the stone.

This has all of the elements of a good caper novel, with a little teen romance/angst thrown in for good measure. It has complex schemes with absurd names. It has flashy locations (Monte Carlo! Paris!). It has painstaking actions scenes where crooks have to work through a series of tasks under exacting conditions. It has double and triple crosses. It doesn't have the pratfall ending where everyone gets part of what they want, but no-one gets everything; I suppose I can't have everything. Anyway, it's delightful, a little silly, but generally good - I recommend it for fans of YA and fans of caper novels. A nice sequel.

Not a Friday Review, 2/19/2012

So. We have begun the process of moving our stuff into the new apartment. Boxes that had previously been piled in the dining room here are now piled in the living room there. Bookcases have started their migration. Kitchen supplies too.

The youngest has developed a lovely habit - she won't go to sleep without spending time with me. This is endearing, but it limits what I can do before bed. A not-sleepy baby is conducive to watching tv, but not to reading (because she can't grab the tv out of my hands).

Also, Dance with Dragons is really really long. unnaturally, unnecessarily long. And I have not finished it yet. But I will finish it, and when I do, I'll post my review.

No library this week, probably - libraries are closed Monday for Presidents' Day, and the rest of the week seems busy. We shall see.

Library Tuesday, 2/14/2012

This week, I'm reading Dance With Dragons, which will probably take me all week, because it's massive. Then plan, at present, is to start moving things into the new apartment this weekend, and have completed the move by the end of the month, so there may be a gap coming up; I'll let you know. Today is, of course, Valentine's Day, or Lupercalia if you prefer. That means that tomorrow is the best time all year to buy chocolates...

Two books from the library yesterday:

A. Lee Martinez - Chasing the Moon


Diana moves into a new apartment only to discover that it is already inhabited by Vom the Hungering - a monster who will, probably, eat her. But he'll feel bad about it afterwards. Vom and Diana discover that there are bigger monsters intent on eating the Moon and Earth, and set out to prevent that, with lots of stops for snacks along the way. This could be quirky good times, like Christopher Moore or Tom Holt. It could also be a shambles with no real ending. Like Christopher Moore, or Tom Holt... Comedy is hard!

Myke Cole - Shadow Ops: Control Point


What would the US military do with a sorcerer? Come up with a bunch of regulations about the use of sorcery, probably. At least, that's Cole's view. Cole did a Big Idea about this book last week, and it sounded tasty, so I grabbed it.

Saturday Review Post, 2/11/2012

The packing continues. By the end of the weekend, we will probably have packed all of the books. Probably.

Only one book this week:

William Fowler, Jr. - An American Crisis: George Washington and the Dangerous Two Years After Yorktown, 1781-1783


Non-fiction. More or less what it says on the box - a historical analysis of the end of the American War of Independence. The crisis in question is the lack of public interest in the war after Yorktown.  Throughout the war, Congress had trouble convincing the various states to pay taxes, and thus struggled with paying the army, especially the officers. The British army was trying to leave the US, but didn't want to do it in such a way that they might get ambushed by the American army.  The American army needed to stay in the field to make sure that the British didn't launch any further attacks. The army teetered on the edge of mutiny, as it was forced to sit around upstate New York not actually doing anything, but not getting paid. The country teetered on the edge of flying into pieces. Congress, increasingly, looked useless. All exciting stuff. So how did Fowler make the whole thing dry and boring?

Ok, dry and boring is a little harsh - the book wasn't that bad. I finished it after all. But it was a little dry. And a little circuitous. For instance, in the last chapter, Fowler tells us how Washington hired his personal secretary. But the secretary was hired in 1779, long before the events at the end of the book. Why wait until the end to introduce us to this guy, when it would work so much better at the beginning? As an historian, I felt inclined to "gut" the book (although I didn't). A lay reader might find the work a little dense. There's a lot of good stuff in there, but it's a little hard to get at.

As an historian, I'd like to have seen a little more "history from the bottom." Fowler focuses fairly heavily on Washington. This makes sense. Washington was prominent. He stood between Congress and the army, both calming the troops and trying to twist Congress' arms into paying for the army. He was also key in the negotiations with the British. At the same time, from my point of view, the story is really about the soldiers who have struggled through the war, and now demand, quite reasonably that they get paid for the work they've done. To be fair, the records on the soldiers are a little hard to pin down - soldiers involved in mutinies, or even proto-mutinies, are not inclined to sign their names on things. Still, a little more balance would have been nice.

So. There was, as I say, lots of good stuff in the book. I even pulled a reading for my students out of it. At the same time, it was dry, circuitous, and dangerously close to a "great man" history. Maybe dip into it, find the interesting bits, and ignore the rest - ie, gut it.

Ummmm. Tuesday Library Post, 2/07

Right. I went to the library yesterday, and then out to dinner at a friend's house, and then it was kinda late, and I watched tv instead of writing a post. (I'm watching White Collar, which is a delightful cross of caper and police procedural, and I'm 3 seasons into How I Met Your Mother, which is just quirky, and full of running gags, which, as you know, I lurve unreservedly. I love my Netflix instant queue, and I double love my Roku...)

Three books this week:

Kevin Hearne - Hounded


Hearne has written written a trilogy about the last druid, an immortal shapeshifter living in Arizona, running an occult bookstore. I seem to recall he did a Big Idea about the series over at Scalzi's Whatever - I believe, if I remember correctly, that the big idea is "An immortal Irish Druid would be kick ass!" Clearly, Hearne takes himself very very seriously. I'm hoping for quirky.

Adam Selzer - Extraordinary*
*the true story of my fairy godparent, who almost killed me, and certainly never made me a princess


So, as you know, I have a personal interest in books about fairy godparents, since I'm sorta writing a book about a fairy godparent. Thus, I must read this, to check out my competition. I think the title tells everything you need to know, except it looks like an interesting mix of unreliable narrator and counter-narrator. I'm hoping for running gags.

Ally Carter - Uncommon Criminals


The sequel to Heist Society - finally back in the library! Yay! Either they bought a new copy, or, hopefully, the person who walked off with it brought it back. Anyway, caper novel, yay!

Hmmm. No police procedural. Oh well.

Saturday Review Post, 2/4/2012

That's the bookcase in the living room, several months ago. Today, the top three shelves are mostly empty of books. We're moving. We signed a lease on a new apartment this afternoon. This should not affect my posting schedule - it will be as erratic as always - but it does mean that we're closer to a different library than before. But it's a library that I like, and Lora will still be working downtown next to the library that we've been going to regularly, so there should be no change there either.

However, in the process of pulling books off of shelves and putting them into boxes, we have discovered several books that we're not sure why we own them. Any thoughts on what we should do with them?

Ok. One book this week:

James Corey - Leviathan Wakes


This was a monster of a book. It is accurately described as space opera - science fantasy, perhaps - in that it's set out in space, and the science is only as solid as necessary. There is no deep explanation of how the propulsion drives work or any of that, but there's no scenes where people walk around in hard vacuum without space suits either, so that's all good.

Plotwise - Detective Miller works on Ceres, an asteroid that has been hollowed out and houses a significant population of people in the asteroid belt. Ceres serves as a significant port and waystation between the inner planets and the Belt. Miller works for a for-profit police force. His boss calls him in and gives him a case - locate a young woman and return her (involuntarily if necessary) to her parents. As Miller begins this, Jim Holden more or less destroys the solar system (socially, not physically).

Jim Holden is the second in command on Canterbury, an ice freighter, carrying ice from the rings of Saturn to the residents of the Belt - the ice provides water, which, obviously, can't be produced on an asteroid. The Canterbury answers a distress signal. While Jim and part of the crew are investigating the signal, an unknown force shows up and destroys the Canterbury. Holden broadcasts this to the whole solar system, implying that Mars had something to do with it. War between Belter separatists and Mars ensues. Miller loses his job, and decides to follow up his last case independently of his former employer.

Holden and Miller end up helping each other out. They mess it up with Mars, and with a shadowy Earth corporation. They fight zombies. (yes, really. And it's cool, it all makes sense.)

So. I really liked the book. Although it's the first book of a projected trilogy, it had a solid, satisfying ending. The implication, from the teaser for book 2 (which I glanced at, but did not read - I rarely read teasers) implies that each book will be entirely self contained. In a way, then, this was an exercise in extended world-building. As such, it was excellent - I liked the world that Corey created, and would certainly read another book set in the world. I'm also glad that it will feature different characters, because Jim and Miller kinda grated by the end. Miller is a Belter (born and raised in low gravity), and Jim is from Earth, and there's a lot of (interesting) discussions of morality based in learned environments and such, but the upshot is that the two characters don't mesh well - they work together, but at arms length, and only under duress.

I did think the book was a little over long. There were a couple of places that I thought it could have ended. I'm not sorry that it continued - had it ended elsewhere, the story would have been less than complete - but there were a couple of places where I was "oh, there's more? Why?" and then found out why.

The writing was collaborative - James Corey is actually Daniel Abraham and Ty Franck. Franck is the assistant to George Martin, which may well explain why the book was so long. At any rate, I didn't know that until I got to the author's note at the end - it didn't show. Perhaps they traded off sections - the chapters alternated between Miller and Holden - but whatever they did, the whole meshed nicely, and there were no visible seams.

The impulse behind the book - to write a solid space opera set in the middle future (not the "just around the corner, but with Robots!", nor the "In the distant future, Mankind will have two heads!") - is interesting. In the author interview (Orbit does this "added value" thing in their books, it's cool) , Corey suggests that no-one else is writing in that middle future at the moment. This may be true - the book was reminiscent of C.J. Cherryh and  Jule Czerneda, but Cherryh's space stuff is a little older than I like to think. Czerneda is more current, but perhaps less widely read? I don't know - my initial reaction to the statement was "well, but I can think of several authors who write in the middle future," but now that I ponder it, perhaps several of them are in the more distant future, where humanity has expanded well beyond our solar system. If this series prompts more books like this, I'll be happy. If you like gritty stories set in the spaces between the hard vacuum, and involving (but not dominated by) large spacecraft armed with heavy weapons, you may well like this book too.

Library Monday, 1/30/2011

Two this week. I didn't want a whole pile, because that Martin is looking at me from the pile.

Karen Duvall - Knight's Curse


A highly trained knife fighter, an evil sorcerer, and a handsome warrior-protector? Where could this possibly go wrong? It's a Luna press publication, which is the fantasy imprint of Harlequin, which just makes it all the more delicious.

Henry Alford - Would it Kill You to Stop Doing That?


Alford is the etiquette columnist for Vanity Fair, and contributes regularly to NPR. He has a delightfully sharp and snarky tone. Who among us couldn't so with some etiquette? Plus, I am promised a scene in which he teaches Miss Manners how to steal a cab in NYC - how could I resist?